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![]() Some societies use Oxford Academic personal accounts to provide access to their members. If you do not have a society account or have forgotten your username or password, please contact your society. Do not use an Oxford Academic personal account. When on the society site, please use the credentials provided by that society.If you see ‘Sign in through society site’ in the sign in pane within a journal: Many societies offer single sign-on between the society website and Oxford Academic. Society member access to a journal is achieved in one of the following ways: If you cannot sign in, please contact your librarian. If your institution is not listed or you cannot sign in to your institution’s website, please contact your librarian or administrator.Įnter your library card number to sign in. Following successful sign in, you will be returned to Oxford Academic.When on the institution site, please use the credentials provided by your institution.Select your institution from the list provided, which will take you to your institution's website to sign in.Click Sign in through your institution.Shibboleth / Open Athens technology is used to provide single sign-on between your institution’s website and Oxford Academic. This authentication occurs automatically, and it is not possible to sign out of an IP authenticated account.Ĭhoose this option to get remote access when outside your institution. Typically, access is provided across an institutional network to a range of IP addresses. If you are a member of an institution with an active account, you may be able to access content in one of the following ways: Get help with access Institutional accessĪccess to content on Oxford Academic is often provided through institutional subscriptions and purchases. The magazine was affiliated with the Workers Film and Photo League, a group that considered film as a ‘weapon in the class struggle’, and used a rudimentary form of montage to attack American capitalism and the Hoover and Roosevelt administrations. Alongside some sporadic experiments, the Experimental Cinema group developed a textual form of montage scenario. In Experimental Cinema, a short-lived magazine that ran from 1930 to 1934, montage developed from a machine aesthetic myth into the standard in a cinematic battle against Hollywood. One key instance was the 1929 screening of Dziga Vertov’s The Man with a Movie Camera at the Film Guild Cinema in New York, a building designed by Frederick Kiesler. This chapter considers the cinematic productions and discourses of radical Left in terms of a sustained response to Soviet cinema, in particular relation to the enthusiastic reception of montage. Unlike Soviet theatrical productions, Russian films were fairly widely viewed by Americans, especially in the years before sound technologies partitioned national cinemas, and received extensive commentaries in American publications, from specialist magazines to newspapers. Youth of Maxim: 1935 - Dir.Alongside the radical Constructivism of the New Playwrights Theatre, the American avant-garde’s most sympathetic engagement with Soviet revolutionary culture was in cinema. ![]() The Good, The Bad, and The Ugly: 1966 - Dir. Harry Potter and the Half-Blood Prince: 2009 - Dir. Produced in collaboration with PBS Digital Studios: īattleship Potempkin: 1925 - Dir. In this episode of Crash Course Film History, Craig talks us through some of the filmic things going on in post-revolution era Russia. Russian filmmakers started trying to understand the power of the cut itself, thus developing a theory of filmmaking based solely around the juxtaposition of images: Soviet Montage. Even though film stock was hard to come by, we saw the first film school started, and the study of film became hugely important. Russia went and had a revolution in 1917 and cinema was a big part of its aftermath. You weren’t a cross dresser, you weren’t trans, you were identified as a gay man who did this for entertainment. “Drag was kind of defined as gay men wearing women’s clothing for entertainment purposes. “Certainly, in the early '90s New York East Village scene, where I started, it was gay men,” says Sherry Vine, an actress, musician, and legendary drag queen with over 30 years in the business. No matter how much a woman might worship the world of drag, they were largely content to remain fans, or labeled as burlesque performers or “club kids.” Twenty-plus years ago, drag was considered a sacred space where queer men played with gender norms. “If most of your audience, and most of the consumers, and most of the people showing up to purchase your album, and who are tuning in to see your show, or flying across the country to go to Drag Con and get your autograph are women, eventually, they’re going to start emulating the people they admire,” says Peppermint. Women have always revered and connected with drag, says Peppermint: “I remember working at Lips (a New York City drag-themed restaurant) and women were our main clientele.” She says it’s only natural for female-identifying fans of drag to imagine having a drag experience themselves. There’s only a few who can and I think most of those people are women.” “Every celebrity is not made to do all those things. “To do drag requires a willingness, or even a desire, to challenge gender norms, challenge the patriarchy, look like a fool in a dress and a wig, potentially fail, and embrace the LGBT community,” says Peppermint, an actress, singer, trans female drag performer, and former contestant on Drag Race, who went on to star in Head Over Heels on Broadway. After all, as RuPaul says on Secret Celebrity Drag Race, “Drag doesn’t change who you are, it actually reveals who you are.” I think that’s how we promote change, and change minds and hearts,” she says. “When they see black women like Vanessa Williams and Loni Love embrace drag culture, it speaks volumes. ![]() X Change says, in her experience, having women on the show helps promote tolerance among heteronormative people. Biological women are seeing that, it’s percolating their curiosity, and they’re diving into drag.” They’re seeing that drag is a viable, beautiful art form. “Because more people are seeing what it’s really about, and discovering that it’s not this scary thing that only happens after midnight in seedy clubs in New York City. “ RuPaul’s Drag Race has given access to people who don’t have a local drag bar or don’t know any queer people - now they’ve seen drag in their living room for three-and-a-half hours every Friday night,” says Monét X Change, a Drag Race alum, Drag Race All Stars winner, actor and singer. ![]()
For heavy atoms, the core radius grows slightly with increasing number of electrons. The core radius is at least three times smaller than the radius of the corresponding atom (if we calculate the radii by the same methods). ![]() The atomic core can be considered spherically symmetric with sufficient accuracy. ![]() The mass of the core is almost equal to the mass of the atom. Core charge can be calculated by taking the number of protons in the nucleus minus the number of core electrons, also called inner shell electrons, and is always a positive value in neutral atoms. In other words, core charge is an expression of the attractive force experienced by the valence electrons to the core of an atom which takes into account the shielding effect of core electrons. The atomic core has a positive electric charge called the core charge and is the effective nuclear charge experienced by an outer shell electron. The atomic core refers to an atom without valence electrons. Periodic Table organized by atomic orbitals. See the periodic table below, organized by subshells. The number in the cell is the subshell's position in the sequence. Each cell represents a subshell with n and ℓ given by its row and column indices, respectively. The energy sequence of the first 35 subshells (e.g., 1s, 2s, 2p, 3s, etc.) is given in the following table. Thus, in atoms of higher atomic number, the ℓ of electrons becomes more and more of a determining factor in their energy, and the principal quantum numbers n of electrons becomes less and less important in their energy placement. The increase in energy for subshells of increasing angular momentum in larger atoms is due to electron–electron interaction effects, and it is specifically related to the ability of low angular momentum electrons to penetrate more effectively toward the nucleus, where they are subject to less screening from the charge of intervening electrons. The filling of the 3d orbitals does not occur until the 4s orbitals have been filled. When ℓ = 2, the increase in energy of the orbital becomes large enough to push the energy of orbital above the energy of the s-orbital in the next higher shell when ℓ = 3 the energy is pushed into the shell two steps higher. Higher values of ℓ are associated with higher values of energy for instance, the 2p state is higher than the 2s state. This requires consideration of the ℓ quantum number. In atoms with more than one electron, the energy of an electron depends not only on the properties of the orbital it resides in, but also on its interactions with the other electrons in other orbitals. In single electron atoms, all energy levels with the same principle quantum number are degenerate, and have the same energy. For large n, the energy increases so much that the electron can easily escape from the atom. The n = 1 orbital has the lowest possible energy in the atom. In atoms with a single electron the energy of an orbital is determined exclusively by the principle quantum number n. For lanthanides and actinides, the number of valence electrons ranges from 3 to 16 ( ns, ( n−2)f and ( n−1)d orbitals).Īll other non-valence electrons for an atom of that element are considered core electrons.Ī more complex explanation of the difference between core and valence electrons can be described with atomic orbital theory.For transition metals, the number of valence electrons ranges from 3 to 12 ( ns and ( n−1)d orbitals).For main-group elements, the number of valence electrons ranges from 1 to 8 ( ns and np orbitals).The number of valence electrons of an element can be determined by the periodic table group of the element (see valence electron): Therefore, unlike valence electrons, core electrons play a secondary role in chemical bonding and reactions by screening the positive charge of the atomic nucleus from the valence electrons. Core electrons are tightly bound to the nucleus. ![]() The nucleus and the core electrons of an atom form the atomic core. Core electrons are the electrons in an atom that are not valence electrons and do not participate in chemical bonding. ![]() Add the Filename and choose a location to Save to.Click File, then Share in the top toolbar.You can also choose to search Adobe Stock for thousands of additional motion graphic templates to use in your video.In addition to title templates, you will also find free transition and element templates from the panel, all of which you can customize for your video.You can edit the text and choose a new font, style, or color from the Edit tab.Search for title styles and motion graphics by keyword from the Title panel on the right.Scale, rotate, and change the title’s position directly in the preview monitor using the transform box.Trim or lengthen the duration of the title by dragging the orange handles in the timeline.You can customize the font, style, size, character spacing, line spacing, and baseline shift, and also adjust the color fill, outline, and shadow from the Edit tab Double-click on the Title button and a default title will appear in the center of the monitor.There are two ways to create your own titles and edit motion graphic templates to match your own brand: using a default title or using a pre-built title design. Transform tools make it easy to control the position, rotation, and scale of a clip. ![]() Update audio settings to control a clip’s volume level and auto-duck music to voice clips.Refinement tools include built-in title templates and Adobe Stock templates, transitions, and color presets.Select and drag the circle on each end to enlarge or shrink the size of your timeline Use the bottom scroll bar to zoom in and out of the timeline.You can move your clips within those track limits in your timeline Premiere Rush supports up to four video tracks and three audio tracks.Premiere Rush automatically identifies the type of audio in your timeline and displays icons for voice, music, and other formats.This enables you to shorten or lengthen the audio separately from the video clip Click on the Expand Audio icon in the lower left to reveal the audio associated with your video clip.Other clips will automatically respond and adjust to the new placement To move clips around in the timeline, click and drag them to a new location.If you want to delete it, click on the Trash icon in the lower left Select a clip and duplicate it using the Duplicate button.Move the playhead to the location you want to cut, then click the scissors icon to split the clip into two separate clips.Editing tools are located at the bottom left of the Premiere Rush editing workspace.Note: If you create multiple projects, you can click the house icon at the very top to return to the project browser and select another project to open.Use the playback controls to move within your video and click the full screen icon to view a video in full screen.Below the “+” button is the project panel, where you can see all your project media and organize it.Note: After your project is set up, within your editing workspace, click the blue “+” icon on the upper left of the window to add more titles or media or to create a voiceover.Click on the "Create" button and your videos will appear in the track at the bottom.Note: Media is added in the order that you select it.Use the Media Browser to locate and select the media you are going to use in your project.Once Adobe Premiere Rush is open, simply click on the blue “Create a New Project” button.Click on "Open" next to Adobe Premiere Rush To start an Adobe Premiere Rush project, open Adobe Creative Cloud by clicking on the Creative Cloud icon, shown below.Adobe Premiere Rush is a great option for all your video editing needs. When you have finished converting your home movies to digital, editing your videos is often the next step. Higher Education in the United States: How Do I Apply?.Higher Education in the United States: How Do I Pay For It?.TGI Friday Tracks: “Still in Hollywood” and “Everybody Knows” by Concrete Blonde.Rearview Mirror: Images from the Special Collection.View all cards in Technology & Innovation. ![]() ![]()
![]() If it isn’t devouring light, impurities build up in it and on it, and Necrozma darkens and stops moving. It looks somehow pained as it rages around in search of light, which serves as its energy. It has an extraordinarily vicious disposition and is constantly firing off laser beams. Light is apparently the source of its energy. Reminiscent of the Ultra Beasts, this life-form, apparently asleep underground, is thought to have come from another world in ancient times. Black: Victini & ReshiramWhite: Victini & Zekrom.Pokémon Ranger & The Temple of the Sea!.Mystery Dungeon - Explorers of Time & Darkness.Mystery Dungeon: Blazing, Stormy & Light Adventure Squad.Pokémon Battle TrozeiPokémon Link: Battle.If you can’t handle people using defensive mons to check the offensive metagame, then compatible pokémon isn’t for you. You just want to stack all of the most broken offensive mons on one team, then get mad when people don’t roll over and let you sweep them? If you are going to use the best offensive mons in the meta, then you are not allowed to cry about the defensive mons used to check the best offensive mons. I seriously don’t understand people like you. There are plenty of mons that can take advantage of it, most notably Zygarde, who sets up on it all day, and calyrex shadow, who is the best offensive mon in the game. Basically, necrozma is a useful and versatile mon. Lando-T in gens 5-8, T tar in gens 4-5 (3 it was less utility and more of an offensive monster) DPP ubers has dialga and giratina o, gen 8 nu has talonflame, and gen 2 has snorlax (who is both offensively threatening and useful as a special tank). Almost every tier has their all purpose check that is super common because it handles so much of the metagame. A bulky rocker, especially on the physical side who also provides offensive support in the form of naturally high stats even without investment, and it is used to check half of the metagame, but it has trouble sticking around long term due to a lack of reliable recovery. It is really similar to Lando T honestly. Morning sun is not a good recovery move, and it burns through them really fast because of how many mons it has to handle. In other words, necrozma dm is a good mon. Mods may remove posts at their discretion.Ĭlick Here for All Links and Subs! Click Here to See the Wiki! Daily Post Schedule Dayīecause ubers is a really strong metagame, meaning players are restricted to running a select number of mons that are both able to defensively handle the metagame while also providing useful utility. Cannot involve the phrase "How does this affect the meta?" or similar.User-created Competitive Pokemon memes can be posted directly to the sub on Sundays. ![]()
![]() Maybe it's just the angle? Or maybe I'm just used to seeing her hair parted the other way? Or the top of her skull could be just a tad bit less round? It is a great piece of art anyway! I really can't point my finger at the cause though. One small piece of observation about the Sabia x Barrin scene: I felt like Sabia's face was a little bit different in this scene. I think this would make for a more satisfying experience for the players that expected something more to happen after all the groping. This way people who choose to not side with Tekrok still have a way to see this beautiful CG. It wouldn't even need new art just use the same barmaid outfit art that was used for impressing Tekrok's crew, with maybe very little variants if any. But a more submissive Sabia could in fact lead the Orcs to the relief tents instead of the dark alley and "gain their support" there. I feel the current outcome is perfect for a more dominant Sabia kill the motherfuckers who dared to speak against her during the trial. It would be awesome if the outcome had two variants depending on Sabia's Dominance or Submission. The bar groping scenes: Had the best art in this update in my opinion. And then when you're talking to Rokgrid his name suddenly changes to Tekrok. ![]() ![]() Make it official with Tekrok, then we will discuss our specific plans." when he should tell you to make it official with Rokgrid. One last error that I found: When the Warchief asks you who do you want to give the credit for the catgirl raid, if you pick Rokgrid without having made any alliances previously, the Warchief chief will say "Very well. It looks like their lines are switched if Kulgan is alive they'll talk about him like he is dead and vice-versa. One small error that happens after the trial: Eavesdropping the Orcs at the Trading Lodge. Unless Sabia told Neve in private and I missed it. Makes one wonder if you were telling the truth about why your patrol was there in the first place." But if you tell the trial something else (I go with Hunting for Bandits), then Sabia would never had told anyone that she was there searching for ruins. And believe me, I am certain there was nothing in that region. It's a completely different game being able to spar with Lutvrog being level 3 because you got XP from every Orc or spar with Lutvrog being level 2 because you didn't get that XP.Īnother thing that has been in the game from version 0.1 but just now caught my eye: After the trial Neve says: "I have somewhat of an interest in ruins myself, Sabia. There's one tiny bit of inconsistency that I would like to see fixed: Not every Orc you get from the sparring option at the Training Grounds gives XP. As a side note, fuck Tekrok! Please give us the option to kill him lol. I love that! I replayed it until I found out how I want things to go exactly (for now at least). Playing it multiple times testing choices and combinations made me see how things are branching out already and that the game will have many different paths. I think sad is the right word here, FeelsBadMan Is it ever going to be released to the public? I found out that that scene isn't in the game. After playing the game normally a couple of times (more like dozens), I started replaying it with the code open to add some info to the playthrough notes I made for the first release. I looked everywhere for that Neve scene in the teaser (with the glowy red eyes) but could not find it. If Sierra or Nomo are against it, I will edit this post later. Anyway I just finished playing the new update.įirst things first: While I can't do the same with The Last Sovereign because I don't own RPGMaker, RenPy games you can actually look at the code to make optimized playthroughs. Man it was hard staying away from this topic for 1 week to avoid spoilers, but it was worth it. The soldier sidequest has a scene with two major variants. Working in the Silvertusk Bar can now lead to a sequence of scenes. It has three different variants, two of which have four ranks depending on your performance. Depending on how you choose to resolve the event, you may get a relief tents scene at the end. In the process of resolving the catgirl quest, you may encounter a scene with two variants. You can now decline the sex scene after beating Lutvrog. Equipment stats now listed in tent screen. Enemies no longer get a final blow and ties have been mostly removed, since the intent here wasn't widely understood. There is a sidequest involving a human soldier. Working at the bar has been expanded, with a sequence of scenes available. An incident involving catgirls can be played beginning to end. Improvements to the Neve x Maply scene. ![]() HP photosmart c7280 all-in-one printer (CC564A) Product Detail Parts and Support Printer Repair. 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It has a flatbed scanner with an optical resolution of 4800 dpi, enabling the scanning of high-resolution images and documents. This printer also functions as a scanner and copier, allowing users to easily digitize documents and create duplicates. With a printing speed of up to 34 pages per minute for black and white prints and 33 pages per minute for color prints, it offers fast and efficient printing. ![]() It has a maximum print resolution of 4800 x 1200 dpi, ensuring crisp and detailed output. part of Leopard's built-in printer driver collection, but Leopard users need to. The Photosmart C7280 utilizes thermal inkjet technology to produce sharp and vibrant prints. It is equipped with advanced features that make it suitable for both home and small office use. Shop official HP cartridges for HP Photosmart C7280 All-in-One Printer. 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